DONNA GOTTSCHALK, IMAGES FROM “BRAVE, BEAUTIFUL OUTLAWS”
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

DONNA GOTTSCHALK, IMAGES FROM “BRAVE, BEAUTIFUL OUTLAWS”

Donna Gottschalk, a photographer active in the early period of radical lesbian organizing in New York and California during the 1970s. Gottschalk came out as a lesbian right at the formation of the radical lesbians and Furies collectives on the east coast, where she met lesbian artists JEB (Joan E. Biren), Flavia Rando, and others, and later moved to California to join lesbian-separatist communities…

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SHELLY SILVER, WHAT I'M LOOKING FOR, 2004,
FILM Megan Christiansen FILM Megan Christiansen

SHELLY SILVER, WHAT I'M LOOKING FOR, 2004,

A woman sets out to photograph moments of intimacy. On an Internet dating site she writes: 'I'm looking for people who would like to be photographed in public revealing something of themselves...

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OLIVIA ARTHUR, MURMURINGS OF THE SKIN
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

OLIVIA ARTHUR, MURMURINGS OF THE SKIN

For the past few years I have been making work about the relationship that we have to our bodies as humans. The work grew out of a fascination I developed after being pregnant and feeling my body as a machine performing an incredible task. I went on to explore intimacy, touch, physical connection, stability and the ways we use technology to enhance all those things…

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SPANDITA MALIK, JĀḶĪ—MESHES OF RESISTANCE
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SPANDITA MALIK, JĀḶĪ—MESHES OF RESISTANCE

The artist expands upon her photographic series Nā́rī, a project that she began as a graduate student at Parsons School of Design in 2019. For Nā́rī, she traveled to small communities in India known for their distinct embroidery styles and places where women learn handicraft to gain financial independence…

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SHIRIN NESHAT, THE FURY
PHOTOGRAPHY, FILM Megan Christiansen PHOTOGRAPHY, FILM Megan Christiansen

SHIRIN NESHAT, THE FURY

The Fury, comprising a double-channel video installation and a series of black and white photographs. Shot in June 2022, The Fury seeks to capture the Zeitgeist: a sense of foreboding and dread sparked by the resurgence of fascism that we are witnessing…

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NONA FAUSTINE, MY COUNTRY
PHOTOGRAPHY, PRINTMAKING Megan Christiansen PHOTOGRAPHY, PRINTMAKING Megan Christiansen

NONA FAUSTINE, MY COUNTRY

In “My Country,” Faustine confronts and interrogates iconic American monuments, such as the Lincoln Memorial and the Statue of Liberty, using her camera to reframe conventional, colonialist perspectives, and reinserting some of the truth and trauma behind these memorialized spaces…

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MICHÈLE PEARSON CLARKE, SUCK TEETH COMPOSITIONS, 2018
INSTALLATION, FILM Megan Christiansen INSTALLATION, FILM Megan Christiansen

MICHÈLE PEARSON CLARKE, SUCK TEETH COMPOSITIONS, 2018

This three-channel video and sound installation presents a choral symphony structured around the everyday Caribbean oral gesture of sucking teeth. Referred to variously as kiss teeth, steups, chups, and stchoops, to suck teeth is to produce a sound by sucking in air through the teeth, while pressing the tongue against the upper or lower teeth, with the lips pursed or slightly flattened…

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KHADIJA SAYE, DWELLING: IN THIS SPACE WE BREATHE
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

KHADIJA SAYE, DWELLING: IN THIS SPACE WE BREATHE

The series was created out of the artist’s personal need for spiritual grounding after experiencing trauma. This work is based on the search for what gives meaning to our lives and what we hold onto in times of despair and life changing challenges. We exist in the marriage of physical and spiritual remembrance...

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ASIA STEWART, LA NÉGRESSE BLANCHE
PERFORMANCE Megan Christiansen PERFORMANCE Megan Christiansen

ASIA STEWART, LA NÉGRESSE BLANCHE

La Négresse blanche is a six hour performance that marks the beginning of Stewart's Graft series. The piece is titled after Mayotte Capecia’s book of the same name and draws off of selections from Frantz Fanon’s Black Skin, White Masks…

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VANESSA CHARLOT, BLACK WOMAN'S SHADOW
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

VANESSA CHARLOT, BLACK WOMAN'S SHADOW

In America, she lives in a perpetual state of trauma. To survive, she moves performatively through life, without processing her anguish. She symbolizes what has become the American norm—grieving, coping and healing in the shadows while carrying the burden that is one’s Blackness…

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AMBER N. FORD, MISTAKEN IDENTITY, 2018
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

AMBER N. FORD, MISTAKEN IDENTITY, 2018

The series, Mistaken Identity, shown in the group exhibition A Color Removed, tackles the question, “Who has the right to safety?” by presenting a collection of images of everyday objects that have been mistaken as weapons and led to the deaths of people of color at the hands of law enforcement officers…

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SANDRA BREWSTER, ROOTS, 2021-2022
PHOTOGRAPHY, INSTALLATION Megan Christiansen PHOTOGRAPHY, INSTALLATION Megan Christiansen

SANDRA BREWSTER, ROOTS, 2021-2022

In her outdoor photographic installation, Roots, Toronto-based artist Sandra Brewster explores the long history of Black presence in the urban wilderness. Developed during her tenure as Koerner Artist in Residence at Evergreen Brick Works, the photographs document the area’s plant life, greeting visitors as they explore the valley…

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