MICHÈLE PEARSON CLARKE, SUCK TEETH COMPOSITIONS, 2018
INSTALLATION, FILM Megan Christiansen INSTALLATION, FILM Megan Christiansen

MICHÈLE PEARSON CLARKE, SUCK TEETH COMPOSITIONS, 2018

This three-channel video and sound installation presents a choral symphony structured around the everyday Caribbean oral gesture of sucking teeth. Referred to variously as kiss teeth, steups, chups, and stchoops, to suck teeth is to produce a sound by sucking in air through the teeth, while pressing the tongue against the upper or lower teeth, with the lips pursed or slightly flattened…

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SANDRA BREWSTER, ROOTS, 2021-2022
PHOTOGRAPHY, INSTALLATION Megan Christiansen PHOTOGRAPHY, INSTALLATION Megan Christiansen

SANDRA BREWSTER, ROOTS, 2021-2022

In her outdoor photographic installation, Roots, Toronto-based artist Sandra Brewster explores the long history of Black presence in the urban wilderness. Developed during her tenure as Koerner Artist in Residence at Evergreen Brick Works, the photographs document the area’s plant life, greeting visitors as they explore the valley…

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SONYA CLARK, BLACK HAIR FLAG, 2010
INSTALLATION Megan Christiansen INSTALLATION Megan Christiansen

SONYA CLARK, BLACK HAIR FLAG, 2010

Traditional African American hairstyling techniques become the stars and stripes of the American flag against a backdrop of the Confederate Battle flag. The piece celebrates the roles African Americans played in the building of our nation…

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SHIKEITH, STILL WATERS RUN DEEP, 2021
INSTALLATION, FILM Megan Christiansen INSTALLATION, FILM Megan Christiansen

SHIKEITH, STILL WATERS RUN DEEP, 2021

Shikeith explores how Black queer re-making is a sacred space and practice in his two-part installation, still waters run deep / fall in your ways (2021). Using poetry, historical narratives, ambient recordings of children's rhymes, shades of blue, dance, and organic elements such as water, Shikeith maps Black men's negotiations of intimacy and routes toward freedom beyond architectural and societal constraints…

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MICKALENE THOMAS, OH MICKEY, 2008
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

MICKALENE THOMAS, OH MICKEY, 2008

My video and painting installation Oh Mickey! (2008), was inspired by a Balthus painting called La Toilette. In the Balthus, a young girl is wearing lube socks and red slippers, standing alone in an intimate interior space. In my piece, I have a model standing in one of my installations completely nude, except for tube socks and red heels, singing Toni Basil's “Mickey” song...

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JUDITH BARRY, IMAGINATION, 1991
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

JUDITH BARRY, IMAGINATION, 1991

An androgynous head is projected as if contained within a minimalist cube. Sounds of the head slowly breathing fill the space. The head is serene, waiting. Suddenly a substance pours over it from all sides, drenching it in what appears to be a bodily fluid. The spectator wants to turn away but can not, the gaze is compelled through the invocation of the scopic drive...

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JORDAN WOLFSON, FEMALE FIGURE, 2014
INSTALLATION Megan Christiansen INSTALLATION Megan Christiansen

JORDAN WOLFSON, FEMALE FIGURE, 2014

Artist Jordan Wolfson's (Female figure), 2014, is an immersive environment that features a robotic sculpture. For seven minutes, the robot gives monologues and dances to pop songs. Startling and unnerving, the work raises the specter of misogyny and exposes fissures in pop culture...

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EBONY G. PATTERSON,... THREE KINGS WEEP ..., 2018
FILM, INSTALLATION Megan Christiansen FILM, INSTALLATION Megan Christiansen

EBONY G. PATTERSON,... THREE KINGS WEEP ..., 2018

Ebony G. Patterson uses lavish surfaces and verdant motifs to entice viewers to contemplate not only the power of beauty and fashion but also historical and contemporary violence against Black people. In . . . three kings weep . . ., a trio of young men shed tears as they sit silently before a backdrop of floral wallpaper and fluttering artificial butterflies...

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