KHADIJA SAYE, DWELLING: IN THIS SPACE WE BREATHE

“The series was created out of the artist’s personal need for spiritual grounding after experiencing trauma. This work is based on the search for what gives meaning to our lives and what we hold onto in times of despair and life changing challenges. We exist in the marriage of physical and spiritual remembrance. It is in these spaces that we identify with our physical and imagined bodies. Using herself as the subject, Saye felt it was necessary to physically explore how trauma is embodied in the black experience. The objects used in the images are sacred and come from different spiritual healers in Gambia through a means of exchange and prayer.

Whilst exploring the notions of Gambian rituals, the process of image making became a ritual in itself. The journey of making wet plate collodion tintypes is unique; no image can be replicated and the final outcome is beyond the creator’s control. Within this process, you surrender yourself to the unknown, similar to what is required by all spiritual higher powers: surrendering and sacrifice. Each tintype has its own unique story to tell, a metaphor for our individual human spiritual journey. The process of submerging the collodion covered plate into a tank of silver nitrate ignites memories of baptisms, the idea of purity and how we cleanse in order to be spiritually sound. The application of the collodion transcends the photographic process; it is a reflection, a physical manifestation of the artist’s subconscious relationship to traditional African spirituality.

The process involved with tintypes addresses the current disposable era where materials are rapidly produced and short lived. We forget to live through the moment, remaining in the silence, and working on our internal connections.” - Khadija Saye

Previous
Previous

LAURA ANDERSON BARBATA, INTERVENTION: WALL STREET, 2011

Next
Next

AUSTN FISCHER, JESTERS GENDER GAME