JEFFERY JIN, A PORTAL HOME
A Portal Home is the product of a precarious situation that weaves together pictures taken within a six-month period in China, 2023. Portraits of my grandparents in Hefei
collide with photographs from queer encounters in Shanghai to tell a story of compounded origins, redefining everything I once considered home…
SHEN WEI, THIRTEEN DAYS IN 2004
When I first moved to New York City, I started photographing myself. I wanted to document my footsteps along this journey, like a visual diary: to document my first year of life in the city. But I didn’t show these images until 2017…
AN-MY LÊ, DELTA
In her “Delta” series, Lê explored the Vietnam War’s migratory legacy. The color photographs focus on the everyday lives of Vietnamese and Vietnamese American women and girls in Ho Chi Minh City and New Orleans…
TINA TAKEMOTO, LOOKING FOR JIRO, 2011
Looking for Jiro is a queer meditation on the incarceration of Japanese Americans during World War II…
PATTY CHANG, MELONS (AT A LOSS), 1998
A performance juggling a narrative of an imaginary cultural ritual of receiving a plate at a relatives death with the act of cutting and eating a melon while balancing a plate on the head…
ANNIE HSIAO-CHING WANG, THE MOTHER AS CREATOR
Over the years – 21 to be precise – the project evolved, deepening as did the tender relationship between mother and son. The near-annual photographic traditions brought Annie and her son closer, “because we often need to recall, review and revise” both the past and future in order to make a new image…
REN HANG, SELECTED WORKS
Ren Hang, who took his life February 23, 2017, was an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 29-year-old Beijing photographer was nonetheless at the forefront Chinese artists’ battle for creative freedom…
YOKO ONO, CUT PIECE, 1964
Ono gave her first performance of Cut Piece (1964) in Kyotoin July 1964. She sat motionless on stage in a traditional Japanese feminine position, and invited members of the audience to cut a piece of her clothing away…
PAUL PFEIFFER, RACE RIOT, 2001
In Race Riot, Paul Pfeiffer memorializes the 1996 NBA Championship in which the Chicago Bulls win the tournament. The basic image is a clip from the final victory—the moment in which Michael Jordan falls to the floor, back to the camera, hugging the ball as his teammates gather around him...
TOMMY KHA, I’M ONLY HERE TO LEAVE, 2015-PRESENT
I’m Only Here to Leave – a phrase taken from a conversation Kha had when he met performance artist and musician Genesis P-Orridge – started out as a series of cardboard cutout images of the photographer’s face and body, which he placed into real-world surroundings…
CHELLA MAN, THE DEVICE THAT TURNED ME INTO A CYBORG WAS BORN THE SAME YEAR I WAS, 2023
Co-commissioned by Sydney’s Powerhouse museum, short film The Device That Turned Me Into A Cyborg Was Born The Same Year I Was, explores actor and director Chella Man’s relationship with the cochlear implant, and the nuances of life on a continuum between the deaf and hearing worlds…