RASHID JOHNSON, THE NEW BLACK YOGA, 2011
FILM Megan Christiansen FILM Megan Christiansen

RASHID JOHNSON, THE NEW BLACK YOGA, 2011

New York-based Rashid Johnson explores complex cultural identities and issues relevant to being African American in the present day. The artist’s recent ventures in film make use of the medium’s ability to express meaning through movement…

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DAVID WOJNAROWICZ, A FIRE IN MY BELLY, 1986-87
FILM Megan Christiansen FILM Megan Christiansen

DAVID WOJNAROWICZ, A FIRE IN MY BELLY, 1986-87

Echoing themes explored throughout David Wojnarowicz's art and writing, A Fire in My Belly is a visceral meditation on cultural and individual identity, spirituality, and belief systems. On a trip to Mexico City with Tommy Turner to scout Day of the Dead imagery, Wojnarowicz shot 25 rolls of super-8 film, documenting scenes that embodied the violence of city life…

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THOMAS ALLEN HARRIS, THROUGH A LENS DARKLY, 2014
FILM, TEACHING RESOURCES Megan Christiansen FILM, TEACHING RESOURCES Megan Christiansen

THOMAS ALLEN HARRIS, THROUGH A LENS DARKLY, 2014

The first documentary to explore the role of photography in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present, Through a Lens Darkly: Black Photographers and the Emergence of a People probes the recesses of American history through images that have been suppressed, forgotten, and lost…

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FRANCES STARK, NOTHING IS ENOUGH, 2012
FILM Megan Christiansen FILM Megan Christiansen

FRANCES STARK, NOTHING IS ENOUGH, 2012

Nothing is Enough consists of documented text fragments from Frances Stark’s online chat with a young Italian man, ranging from contemplative, self-reflective discussions to cybersex…

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RAGNAR KJARTANSSON, THE VISITORS, 2012
PERFORMANCE, FILM Megan Christiansen PERFORMANCE, FILM Megan Christiansen

RAGNAR KJARTANSSON, THE VISITORS, 2012

Icelandic artist Ragnar Kjartansson’s nine-screen installation The Visitors was filmed at the historic Rokeby farm in upstate New York. Kjartansson invited a group of friends to stay with him for a week at the ethereal, yet decrepit estate, culminating in the ambitious performance…

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SHARON HAYES, RICERCHE: TWO, 2020
FILM Megan Christiansen FILM Megan Christiansen

SHARON HAYES, RICERCHE: TWO, 2020

Ricerche is a 5 part video series that steps off Pier Paolo Pasolini’s brilliant 1963 film, Comizi d’Amore, to stage a contemporary inquiry into the “sexual problem” in the United States…

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NIKOLAI URSIN, BEHIND EVERY GOOD MAN, 1967
FILM Megan Christiansen FILM Megan Christiansen

NIKOLAI URSIN, BEHIND EVERY GOOD MAN, 1967

Produced several years before the historic Stonewall uprising for LGBTQ rights in 1969, director Nikolai Ursin's gently-activist short Behind Every Good Man (c. 1967) provides an illuminating glimpse into the life of an African-American trans woman…

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GILLIAN WEARING, 2 INTO 1, 1997
FILM Megan Christiansen FILM Megan Christiansen

GILLIAN WEARING, 2 INTO 1, 1997

The short video projection 2 into 1 (1997) features a mother and her twin sons talk about each other, one generation lip-synching the dubbed words of the other…

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BARBARA HAMMER, SUPERDYKE, 1975
FILM Megan Christiansen FILM Megan Christiansen

BARBARA HAMMER, SUPERDYKE, 1975

Superdyke is a gem from early liberation days. Influenced by feminism and lesbian militancy, Hammer’s films are politically pointed, bearing witness to lesbian empowerment and visibility, and formally sophisticated, fully cognizant of experimental film history…

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PEGGY AHWESH, PHILOSOPHY IN THE BEDROOM, 1993
FILM Megan Christiansen FILM Megan Christiansen

PEGGY AHWESH, PHILOSOPHY IN THE BEDROOM, 1993

A home-movie paean to the Marquis de Sade, Philosophy in the Bedroom plumbs the depths of boudoir small talk. In the first part, a newly-acquainted odd couple discuss desire—and lack thereof—over a bag of potato chips. In the second part, a recumbent woman describes her partner and herself as "the John and Yoko of the '90s."…

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ANDREA FRASER, UNTITLED, 2003
FILM Megan Christiansen FILM Megan Christiansen

ANDREA FRASER, UNTITLED, 2003

The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room. This is the part of the work that suggests an archetypal narrative…

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