NICK DRAIN, WHAT ARE YOU LOOKING AT? ON BLACKNESS, IMAGES AND (IN)VISIBILITY, 2020
TEACHING RESOURCES, PHOTOGRAPHY Megan Christiansen TEACHING RESOURCES, PHOTOGRAPHY Megan Christiansen

NICK DRAIN, WHAT ARE YOU LOOKING AT? ON BLACKNESS, IMAGES AND (IN)VISIBILITY, 2020

Nick Drain writes from a theoretical and historical lens on how the imaging of black people has served as a tool of white supremacy and oppression through modern history. Finally, he introduces the concept of selective visibility and "dark sousveillance" as an alternative strategy for black individuals in projected futures…

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THOMAS ALLEN HARRIS, THROUGH A LENS DARKLY, 2014
FILM, TEACHING RESOURCES Megan Christiansen FILM, TEACHING RESOURCES Megan Christiansen

THOMAS ALLEN HARRIS, THROUGH A LENS DARKLY, 2014

The first documentary to explore the role of photography in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present, Through a Lens Darkly: Black Photographers and the Emergence of a People probes the recesses of American history through images that have been suppressed, forgotten, and lost…

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WHERE I’M FROM POEM
TEACHING RESOURCES Megan Christiansen TEACHING RESOURCES Megan Christiansen

WHERE I’M FROM POEM

“Where I'm From” grew out of my response to a poem from Stories I Ain't Told Nobody Yet (Orchard Books, 1989; Theater Communications Group, 1991) by my friend, Tennessee writer Jo Carson. All of the People Pieces, as Jo calls them, are based on things folks actually said, and number 22 begins, “I want to know when you get to be from a place…

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THE ROOM OF SILENCE, ELOISE SHERRID</a>, 2016
FILM, TEACHING RESOURCES Megan Christiansen FILM, TEACHING RESOURCES Megan Christiansen

THE ROOM OF SILENCE, ELOISE SHERRID, 2016

“The Room of Silence,” is a short documentary about race, identity and marginalization at the Rhode Island School of Design. Based on interviews conducted by myself and the campus organization Black Artists and Designers, this film contains well under a third of the stories we collected in March 2016, and an unknown fraction of the stories belonging to students we didn’t have a chance to meet with…

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