RENEE COX, IT SHALL BE NAMED, 1994
In this 1992 work by Cox, a collage in the shape of a crucifix, is intricately constructed from several manipulated photographic negatives…
RENEE COX, YO MAMA’S LAST SUPPER, 1996
Deeply concerned with the racial discrepancies in society, artist Renee Cox explores black identity through photography, collage, video, and other media, using the body to displace religious symbols from the white-centric paradigm…
LYLE ASHTON HARRIS AND RENEE COX, VENUS HOTTENTOT 2000, 1994
Friends and sometimes collaborators Lyle Ashton Harris and Renee Cox became prominent in the 1990s with provocative work which invites controversy, challenging and subverting white patriarchal supremacy…