JORDAN WOLFSON, FEMALE FIGURE, 2014
Artist Jordan Wolfson's (Female figure), 2014, is an immersive environment that features a robotic sculpture. For seven minutes, the robot gives monologues and dances to pop songs. Startling and unnerving, the work raises the specter of misogyny and exposes fissures in pop culture...
JILL POSENER, THE ON OUR BACKS YEARS
When I first came to San Francisco in the late 80’s, I was running away from a Britain that I could no longer tolerate. Thatcher was Prime Minister and intolerance was pervasive. I couldn’t find a place to feel comfortable...
MEG TURNER, WET, 2014-ONGOING
Collected as a prototype for my first artist book, Wet is a series of 46 tintype portraits taken between new orleans and new york (with a few Texas and Florida trips) between 2014 and today. The theme of water runs a slow and steady thread through the layout - bodies of water by which we feel our own bodies, our own relaxation and divinity, bodies of water which turn to smoke in the process of long outdoor exposures...
TRACEY EMIN, EVERYONE I HAVE EVER SLEPT WITH 1963–1995, 1995
Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995...
ANONYMOUS, SEX DOLL POLAROIDS
The photo sets feature commercially-available dolls with added genitalia. The maker has set up tableaus and made photographic series that tell stories of straight, gay, and group scenes. We have not definitively dated them, but they are probably from the 1970s...
GROANA MELENDEZ, EL NOMBRE MÍO, AJENO
El Nombre Mío, Ajeno is an exhibition of photographs, videos and other lens-based works by Groana Melendez. In this work Groana creates an understanding of the interconnectedness of relationships, class and identity...
DANIEL RAMPULLA, COLLAPSE
Collapse, comes from this very nod to connection, two bodies “collapsing” together, the “collapse” of two people into one relationship, or the “collapse” of a dune as the shore begins to recede...
GOLDEN, ROBERT MAPPLETHORPE THIS IS NOT YOUR HISTORY, 2016
Robert Mapplethorpe This Is Not Your History was created as a direct retaliation to the Portfolio Z series shot and captured by Robert Mapplethorpe in the late ’70s. In photo history, Mapplethorpe’s works are often sourced and attributed as visual etymologies for queer representations—losing sight of how the gaze of whiteness makes a spectacle of blackness when its being is rendered as just ‘body.’..
RACHEL JUMP, ORIGINS
For most of my childhood our lives were scattered over countless households. My disparate memories of these places merely composed a fragmented idea of home. Later in life I began to question how my identity was shaped without a point of origin...
EBONY G. PATTERSON,... THREE KINGS WEEP ..., 2018
Ebony G. Patterson uses lavish surfaces and verdant motifs to entice viewers to contemplate not only the power of beauty and fashion but also historical and contemporary violence against Black people. In . . . three kings weep . . ., a trio of young men shed tears as they sit silently before a backdrop of floral wallpaper and fluttering artificial butterflies...
CRAIG HIGHBERGER, SUPERSTAR IN A HOUSEDRESS, 2004
Jackie Curtis is not a drag queen. Jackie is an artist. A pioneer without a frontier." -- Andy Warhol. Superstar in a Housedress examines the life and legend of Warhol transvestite superstar Jackie Curtis who was a poet, playwright, performer, and one of the great personalities of his time...
NICOLO GENTILE, PUT TO WREST, 2023
Nicolo Gentile’s installations reference motifs of the queer experience including kink and competitive/obsessive physique-building, as seen in material choices ranging from leather and latex to iron and steel...
JUDY CHICAGO, SUZANNE LACY, SANDRA ORGEL, AND AVIVA RAHMANI, ABLUTIONS, 1972
This performance began with Lacy and Rahmani’s earlier explorations of rape in their different practices—Rahmani in performance and Lacy in an artist’s book, Rape Is. The project was a true collaboration between all four women, teacher and students, with each contributing images and ideas for the final production...
NESRINE KHODR, I SWAM IN THE SEA LAST WEEK, 2003
I Swam in the Sea Last Week is a symbolic and poetic video evoking a changing situation through a female body swimming in the sea...
MARTHA ROSLER, BODY BEAUTIFUL, OR BEAUTY KNOWS NO PAIN, 1966–72
This group of thirty-two photomontages extracts depictions of women’s bodies from popular media sources—glossy print ads and men’s magazines—and reassembles them in ways that upend the original messages...
OWEN MCCARTER, THE THREE EYED FISH
With Industrialization, the landscape of the Housatonic River began to shift dramatically and by the late 1800s thirty dams were in place. Iron and paper mills boomed with no thought towards the environmental effects they might cause...
NELSON MORALES, CROWNS
Since I was a child, I had this fascination for beauty pageants, especially pageant crowns, their symbols and meanings, their beauty, and the variety of them in different cultures. I have previously been portraying transvestite and transgender beauty queens in Muxe culture and was struck by their obsession with becoming a beauty queen...
ALEXIS RUISECO LOMBERA, AQUI AYA, 2017-19
Aqui Aya, 2017-19, is an investigation of place, belonging, and inherited family using self-portraiture. As I cross borders between Cuba and the United States, this series of photographs reflects on displacement as a structure of feeling and an assemblage of family as a world making strategy...
KERRY TRIBE, UNTITLED (POTENTIAL TERRORIST), 2002
In November 2001, a casting notice for (Untitled) Potential Terrorist ran in Backstage West, an L.A-based movie industry trade magazine and actors’ resource, requesting submissions for an untitled, silent, experimental film...
SHELLY SILVER, WE, 1990
Even as the text instructs us otherwise, it is impossible not to read We's two images - that is, to respond to their symbolic quality, their suggestiveness. In a stream of associations, the rhythmic flow of people on the left becomes an ejaculation while the rhythmic hand on the right marks detachment, self-centeredness...