ROBERT GIARD, NUDES
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

ROBERT GIARD, NUDES

The nudes began with my first body of work in 1974: a series of self- Thereafter, friends, lovers, and acquaintances served as the occasions for the male nudes…

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CHANCE DEVILLE, GROWING TIRED OF CALLOUSED KNEES
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

CHANCE DEVILLE, GROWING TIRED OF CALLOUSED KNEES

Growing Tired of Calloused Knees” attempts to carry the multitude of issues that stem from domestic abuse as a catalyst for mental illness, poverty, and substance abuse. It’s a project that peels itself back, buckling from the pressure; a palatable view of troubled situations attempting resolve…

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COURTNEY COLES, MOMMA
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

COURTNEY COLES, MOMMA

The very foundation of my practice is rooted in my fascination with the multiple ways I consider people, places, and memories “home” and my desire to preserve it. I am enthralled by making photographs that are soft and sincere because the world has been anything but to Black queer women like me...

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AJAMU X, EARLY WORKS, 1990-1995
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

AJAMU X, EARLY WORKS, 1990-1995

Ajamu X (HON FRPS) is a darkroom/fine art photographic artist. His philosophical provocations and aesthetics celebrate black queer bodies, the erotic senses, pleasure, and the sensual-material attributes of image production…

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GUADALUPE ROSALES, EL ROCÍO SOBRE LAS MADRUGADAS SIN FIN, 2020
PHOTOGRAPHY, INSTALLATION Megan Christiansen PHOTOGRAPHY, INSTALLATION Megan Christiansen

GUADALUPE ROSALES, EL ROCÍO SOBRE LAS MADRUGADAS SIN FIN, 2020

This project is dedicated to the marginalized. It's about unlearning. Learning differently about this other reality of Mexican-American culture in East Los Angeles, California, primarily during the 1990s. Guadalupe Rosales' world was a world among many worlds. Her archival projects  Veteranas & Rucas  and  Map Pointz  contain modes of self-representation and visibility: the dichotomy between the good and the bad/ugly…

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HÉLÈNE AMOUZOU, SELF-PORTRAITS 1/2
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

HÉLÈNE AMOUZOU, SELF-PORTRAITS 1/2

Amouzou thus began photographing herself in the attic with a 35 mm canon camera -and later a Rolleicord - as her lone witness. Not long after, however, she realized that extended exposure times and low-sensitivity films would allow her to move and portray herself without being recognized. Amouzou’s figure appears in motion, traveling through the frame as a fleeting figure…

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MARTHA WILSON, I MAKE UP THE IMAGE OF MY PERFECTION/I MAKE UP THE IMAGE OF MY DEFORMITY, 1974/2008
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

MARTHA WILSON, I MAKE UP THE IMAGE OF MY PERFECTION/I MAKE UP THE IMAGE OF MY DEFORMITY, 1974/2008

Martha Wilson "I Make Up the Image of My Perfection/I Make Up The Image of My Deformity". A real pioneer in using performance as an artistic medium in itself, Martha Wilson stages her body, and as an actress would do, grinds and transforms herself, creating multiple self-portraits becoming subversive characters…

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HE CHENGYAO, TESTIMONY, 2001–2002
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

HE CHENGYAO, TESTIMONY, 2001–2002

The photograph presented in the exhibition is one of three works from the series "Testimony", presenting portraits of the artist, her mother and son. Large-format photographs, maintained in a similar style, bring to mind classical Baroque painting: brightly lit figures shown against a uniformly dark background…

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ANNA GAJEWSZKY, IN THE SEARCH FOR VENUS, 2021
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

ANNA GAJEWSZKY, IN THE SEARCH FOR VENUS, 2021

The series In the search for Venus depicts an intimate examination of my femininity, my body and its comparison to ancient portrayals of Venus. I was 18 years old when I was told by several doctors I had fertility issues, and that becoming pregnant would be difficult for me…

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MATILDA YUEYANG PENG, SPECIAL MATERIALS
PHOTOGRAPHY, INSTALLATION Megan Christiansen PHOTOGRAPHY, INSTALLATION Megan Christiansen

MATILDA YUEYANG PENG, SPECIAL MATERIALS

People made of special materials” is a phrase commonly used to promote the realization of self-fulfillment and self-sacrifice in the communist context. Revolving around the effect of the Chinese Cultural Revolution on my family history, this project is a visualization of a “monologue” constantly going on between all times, people, and materials, especially the single-sided conversation that is speaking to and influencing generations of continual products of historical events...

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DONNA GOTTSCHALK, IMAGES FROM “BRAVE, BEAUTIFUL OUTLAWS”
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

DONNA GOTTSCHALK, IMAGES FROM “BRAVE, BEAUTIFUL OUTLAWS”

Donna Gottschalk, a photographer active in the early period of radical lesbian organizing in New York and California during the 1970s. Gottschalk came out as a lesbian right at the formation of the radical lesbians and Furies collectives on the east coast, where she met lesbian artists JEB (Joan E. Biren), Flavia Rando, and others, and later moved to California to join lesbian-separatist communities…

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SHELLY SILVER, WHAT I'M LOOKING FOR, 2004,
FILM Megan Christiansen FILM Megan Christiansen

SHELLY SILVER, WHAT I'M LOOKING FOR, 2004,

A woman sets out to photograph moments of intimacy. On an Internet dating site she writes: 'I'm looking for people who would like to be photographed in public revealing something of themselves...

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SABELO MLANGENI, COUNTRY GIRLS, 2003-2009
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

SABELO MLANGENI, COUNTRY GIRLS, 2003-2009

Glamour and grittiness combine in Sabelo Mlangeni's Country Girls series, an intimate portrait of gay life in the countryside. Mlangeni took the photographs in small towns and rural areas in the Mpumalanga province. Driefontein, Ermelo, Bethal, Piet Retief, Standerton and Sekunda - nodes of mining, agriculture, forestry, and coal-fed power stations….

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OLIVIA ARTHUR, MURMURINGS OF THE SKIN
PHOTOGRAPHY Megan Christiansen PHOTOGRAPHY Megan Christiansen

OLIVIA ARTHUR, MURMURINGS OF THE SKIN

For the past few years I have been making work about the relationship that we have to our bodies as humans. The work grew out of a fascination I developed after being pregnant and feeling my body as a machine performing an incredible task. I went on to explore intimacy, touch, physical connection, stability and the ways we use technology to enhance all those things…

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