SHIRIN NESHAT, THE FURY
The Fury, comprising a double-channel video installation and a series of black and white photographs. Shot in June 2022, The Fury seeks to capture the Zeitgeist: a sense of foreboding and dread sparked by the resurgence of fascism that we are witnessing…
NONA FAUSTINE, MY COUNTRY
In “My Country,” Faustine confronts and interrogates iconic American monuments, such as the Lincoln Memorial and the Statue of Liberty, using her camera to reframe conventional, colonialist perspectives, and reinserting some of the truth and trauma behind these memorialized spaces…
MICHÈLE PEARSON CLARKE, SUCK TEETH COMPOSITIONS, 2018
This three-channel video and sound installation presents a choral symphony structured around the everyday Caribbean oral gesture of sucking teeth. Referred to variously as kiss teeth, steups, chups, and stchoops, to suck teeth is to produce a sound by sucking in air through the teeth, while pressing the tongue against the upper or lower teeth, with the lips pursed or slightly flattened…
LEROY JOHNSON, HOUSE SCULPTURES
A collection of the artist’s house sculptures made “with a documentarian’s eye but a poet’s gaze,” says a gallery statement. His pieces capture a city in transition, peering into its past to underscore the myriad experiences of its present…
LAURA ANDERSON BARBATA, INTERVENTION: WALL STREET, 2011
Intervention: Wall Street was conceived as a response to the dire economic crisis that became most evident in 2008 which today afflicts not only Americans but has impacted 99% of the global population…
KHADIJA SAYE, DWELLING: IN THIS SPACE WE BREATHE
The series was created out of the artist’s personal need for spiritual grounding after experiencing trauma. This work is based on the search for what gives meaning to our lives and what we hold onto in times of despair and life changing challenges. We exist in the marriage of physical and spiritual remembrance...
AUSTN FISCHER, JESTERS GENDER GAME
Jesters Gender Game, a celebration of historical queer artists' fearless exploration of gender performance. This photographic project draws inspiration from visionaries like Claude Cahun and Marcel Moore, who challenged gender norms through provocative self-portraits…
STEPHEN SHAMES, BLACK PANTHER PARTY
The Black Panther party burst upon our consciousness when Bobby Seale and other Panthers marched upon the California State Capitol in Sacramento—armed with guns. This approach electrified a generation of black youth. But the Panthers did not encourage hatred…
PIPO NGUYEN-DUY, ANOTHER WESTERN, 1994-1998
AnOther Western began after the consideration for the immediate geographical, historical and cultural significance of the site to be an integral part of my the visual research…
DILLON BRYANT, BLACK HILLS
My practice explores constructions of home, desire, family mythologies, and the landscape in relation to the LGBT+ experience through collage and photography. Taken and found images sourced from family albums, maps, guide books, magazines, and other archives are reorientated to examine the legacies of western expansion and mining in the American West with focus on sites in South Dakota (SD) and California…
MELISSA GRACE KREIDER, WORTHY
Worthy is a photographic investigation exploring the realities that criminalized survivors of intimate partner violence face in the U.S. carceral system after acting in self-defense…
CARLOS MARTIEL, SEDIMENTO, 2024
I lay on the floor of the gallery with my body near a mound of fertile soil. My mother grabs small handfuls of soil and places them on my body until I am buried. Then she leaves…
SADIE BARNETTE, THE FBI PROJECT, 2016-ONGOING
The FBI Project (2016 — ongoing) employs a variety of material interventions engaging the FBI’s 500-page surveillance file amassed on my father, Rodney Barnette, during his time organizing with the Black Panther Party and helping Angela Davis in her fight for exoneration…
ERIC HART JR, MISTER MISTER, 2023
It was based on the Shakespeare quote, ‘All the world’s a stage, and all the men and women merely players.’ I challenged that in my artist statement and followed up by asking- if all the world’s a stage, for whom is the show?…
NICK DRAIN, WHAT ARE YOU LOOKING AT? ON BLACKNESS, IMAGES AND (IN)VISIBILITY, 2020
Nick Drain writes from a theoretical and historical lens on how the imaging of black people has served as a tool of white supremacy and oppression through modern history. Finally, he introduces the concept of selective visibility and "dark sousveillance" as an alternative strategy for black individuals in projected futures…
LATOYA RUBY FRAZIER, PIER 54: A HUMAN RIGHT TO PASSAGE, 2014
In Pier 54: A Human Right to Passage, Frazier pays homage to her predecessors, documentary photographers of the late 19th century in which she shares the desire to comment on social, political, and economic conditions…
![BLACK MALE: REPRESENTATIONS OF MASCULINITY IN CONTEMPORARY AMERICAN ART [BROCHURE], 1994](https://images.squarespace-cdn.com/content/v1/658c59334bdfe52833434021/1739925948133-JR5SZLG4IBV9YAM1H9WK/blackmalebrochur2123unse_Page_01.jpg)
BLACK MALE: REPRESENTATIONS OF MASCULINITY IN CONTEMPORARY AMERICAN ART [BROCHURE], 1994
Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era...
RASHOD TAYLOR, MY AMERICA
My America is an examination of what it's like to live in America as a Black man. The wet plate collodion process was first introduced in the 1850’s. I use this process to connect the past to the present, and to explore the atrocities of slavery, Jim Crow and the institutional and systematic racism that remains so tightly woven into the fabric of American society…
ASIA STEWART, LA NÉGRESSE BLANCHE
La Négresse blanche is a six hour performance that marks the beginning of Stewart's Graft series. The piece is titled after Mayotte Capecia’s book of the same name and draws off of selections from Frantz Fanon’s Black Skin, White Masks…
KWAME BRATHWAITE, SELECTED WORKS
Inspired in part by the writings of Marcus Garvey and the teachings of Carlos Cooks, Kwame Brathwaite's photography created the visual overture for the Black is Beautiful Movement in the late 50's and early 60’s…