LOLA FLASH, CROSS COLOUR
“These selections are a reflection of the late 80's and early 90's, a time when the AIDS crisis was at its highest in New York city. I was an activist and a member of ACT UP, as well as ART+ (an affinity group focusing on issues around brown people affected by AIDS). Some of the images are from ACT UP demonstrations in New York and Washington, DC. Others are photographs, which speak to the sadness and loss of too many friends during that period, as well as the anger towards many of the institutions that silently watched us die.” - Lola Flash
“Working at the forefront of genderqueer visual politics for more than four decades, photographer Lola Flash’s work challenges stereotypes and gender, sexual, and racial preconceptions. An active member of ACT UP during the time of the AIDS epidemic in New York City, Flash was notably featured in the 1989 “Kissing Doesn’t Kill” poster. Their art and activism are profoundly connected, fueling a life-long commitment to visibility and preserving the legacy of LGBTQIA+ and communities of color worldwide. Flash has work included in important collections such as the Victoria and Albert Museum in London, MoMA, the Whitney, he Museum of the African American of History and Culture and the Brooklyn Museum. They are currently a proud member of the Kamoinge Collective, and on the Board of Queer Art.
Flash received their bachelor's degree from Maryland Institute and Masters’ from London College of Printing, in the UK. Flash works primarily in portraiture, engaging those who are often deemed invisible. Flash’s practice is firmly rooted in social justice advocacy around sexual, racial, and cultural difference.”